J. Niranjan won ‘NANTONG INTERNATIONAL CONTEMPORARY CRAFT COMPETITION BRONZE AWARD 2014

Kalamkari Artist and President of Paramparik Karigar, J. Niranjan won the ‘NANTONG INTERNATIONAL CONTEMPORARY CRAFT COMPETITION BRONZE AWARD 2014

paramparik karigar

The competition was held at Nantong China on 23rd Oct. 2014 with twelve hundred artisans from all over the world participating. Congratulations Niranjan!

J. Niranjan, Andhra Pradesh: Mr. J. Niranjan hails from a long linage of Master craftsmen of Kalamkari art. His great-grandfather, grandfather and father Gurappa were all teachers of Kalamkari and who are accredited for their masterpieces like ‘The Mahabharata’ and ‘The Ramayana’, exhibited in the Victoria and Albert Museum in London. J. Niranjan’s father J. Gurappa Chetty was honored with the Presidential National Award. He was also awarded with the prestigious Padma Shri award by Govt. of India.

J Niranjan at Nantong International Contemporarary Craft Compettion

J. Niranjan has carried on this tradition of art and is a renowned Kalamkari artist in the country. Early on in his career, Niranjan worked with the Design Centre in Bangalore where he created a range of colours in natural dyes. Niranjan has traveled extensively (both nationally and internationally) exhibiting his art, and to create awareness about Kalamkari art by conducting workshops and giving demonstrations.

paramparik karigar exhibition Dec. 2011 (16)

Mr. Niranjan has himself pursued unorthodox methods to hone his craft. He studied classical dancing in order to give the right stances to his figures and he photographed many temples seeking the unusual and unsuspecting themes from temple carvings.

Paramparik Dec2011

Mr. Niranjan was awarded the State Award for excellence in Kalamkari by the State Govt. of Andhra Pradesh. He was also honored by the All India Handicrafts Board (AIHB) to celebrate 50 years of its foundation.

Kalamkari by J Niranjan
PLOT NO 4,
NEAR SHIRDI SAI TEMPLE
CHENNAI ROAD
SRI-KALAHASTI- 517644
ANDHRA PRADESH

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Master Craftsman: S. Shakir Ali (Padma Shri Awardee) Miniature Painting

Paramparik Karigar introduces its Master Craftsmen under the series called ‘Jewels In Our Crown

S Shakir Ali Padma Shri master craftsmen

S Shakir Ali Padma Shri

“Master Craftsman: S. Shakir Ali (Padma Shri Awardee) Miniature Painting”

Miniature Painting of Rajasthan:

Miniature Painting by S ShakirAli

India has a rich heritage of miniature paintings. It is impossible to miss out on the Radha-Krishna Pahari painting or the Mughal court paintings of Rajasthan. They adorn many public spaces and homes in India. The highlight of these paintings is the attention to detail, and fineness which is noteworthy. All the varied cultures of India found expression in the works of miniature paintings.

Miniature Painting by Shakir Ali 4

Miniature paintings are spread out all over India; however Rajasthan and Himachal Pradesh have strong and entrenched styles of paintings such as Nathdwara, Kangra, Picchwai, Basohli, Mughal, Surpur and Guler styles.

Paramparik Dec2011

Gracious strokes artfully done with a single haired brush, marks the detailing in the painting. The intricacy is so fine that the painting cannot be viewed alone with naked eyes and needs magnifying glass to view the details.

Miniature Painting by Shakir Ali 5

Mughal School of Miniature Painting:

The genesis of the Mughal miniature painting is thought to be one of the pivotal points of visual history of India. A flamboyant and impressive fusion of the Indian style and the Safavid style of the Persian school gave birth to the Mughal School of miniature painting. This form took its concrete shape especially under the patronage of Akbar from 1560 A.D. who appointed hundreds of Indian artists spearheaded by two popular Persian masters called Mir Sayyed Ali and Abdul Samad Khan. After its aesthetic height during the reign of Jahangir, it gradually declined during the reign of the much puritan emperor Aurangzeb before its final decline during the British rule in India.

Miniature Painting by Shakir Ali 3

Master Craftsman S. Shakir Ali:

Padma Shri s Shakir Ali

Padma Shri s Shakir Ali

Master Craftsman S. Shakir Ali of Jaipur is an acclaimed miniature painter who specializes in the Mughal style of painting. S. Shakir Ali was born in 1956. He completed his bachelor’s degree in Arts from Rajasthan University, Jaipur. His grandfather Syed Hamid Ali was a court artist, his father S. Sabir Ali (Chunnu Mian) was an art collector. Inspired by both of them Shakir Ali started learning miniature painting under the guidance of Late Padama Shri Ram Gopal Vijaiverigiya and Shri Ved Pal Sharma (Bannu Ji) he learned different kinds of Indian traditional schools of paintings and specialized in Mughal & Company schools of painting. He has been painting from the age of fifteen after completing graduation in 1978.

In 1981he started showcasing his art in the exhibitions and demonstrations. His first demonstration and exhibition was at craft museum, Delhi followed by AWA-American Embassy, UK Embassy, DCWA, Ashoka & Taj Hotels, etc. His paintings got selected by Ministry of external affairs for presentation to various dignitaries and foreign VVIPs.
After a long struggle and hard work S. Shakir Ali got an opportunity from ICCR to represent India in SAARC 10th Folk festival at Islamabad in 1992 where he won first prize in art competition. He held solo exhibitions all over the world.

Apart from the exhibitions, S. Shakir Ali held various live demonstrations and workshops to create awareness about miniature paintings. He has trained more than 2000 students in India and abroad who received recognition and awards for their works.

He has also restored old paintings in City Palace, Jaipur and Prince Wales Museum, Mumbai and they also have collection of his paintings. Since last 3 years he has been experimenting with new creativity and has started working in modern miniature and contemporary art where he is continuing with the miniature technique. His work is infused with delicacy and fineness of strokes that reveal his mastery over the technique of miniature painting. His son Sayyed Zohaib Ali is also a painter and recently won ‘The Roshan Kalapesi Memorial Award for Arts & Crafts‘ by Paramparik Karigar.

Miniature Painting by Shakir Ali 1

Exhibitions:
1) SAARC 10th Folk festival at Islamabad in 1992
2) India Fair, Dubai (1995, 96, 99)
3) Bangkok (Thailand) in 1995
4) Millennium Festival at Hong Kong in 2003
5) SME & Handicrafts Fair in Mauritius in 2005
6) Festival of India in Brussels, Belgium in 2006;
7) Paramparik Karigar at Mumbai, Pune Chennai & Bangalore (since 2000 every year)
8) Cultural and international Festival of Miniature and illumination at Algeria in 2007, 2009.
9) His paintings were auctioned by Paramparik Karigar at an auction conducted by Bowring in 2003 and Osian’s in 2008-09
10) Harmony Art Foundation at Mumbai in 2009.

Miniature Painting by Shakir Ali 6

Awards:
S. Shakir Ali is the recipient of numerous awards and honors.
1) He was awarded 1st prize in SAARC, Pakistan held in 1992.
2) In1993 Govt. of India awarded National Award to S. Shakir Ali.
3) On 26th Jan. 2013 President of India honored Shakir Ali with the Padma Shri Award.
4) He got 2nd Prize in Algeria where various world famous artists participated in the competition.
5) He got merit certificates in Dubai, Hong Kong and Thailand.
6) Recently on 2nd October 2014 Shakir Ali was honored with ‘Nexzen Excellence Award’.
Address:
Plot # 7 “Ashiyana”
Colony fo billochian,
Bans Badanpura,
Jaipur-302002

Ph. No: RES – 0141-2630135
Shakir – 9828193033
Wife – 9828406865
Emails – shakirali_imp@yahoo.co.in
shakirali.jpr@gmail.com

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Paramparik Karigar Textile Exhibition

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Paramparik Karigar Textile Exhibition on 19th to 23rd August 2014 at  Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Mumbai
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Paramparik Karigar Arts & Crafts Exhibition

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Paramparik Karigar Arts & Crafts Exhibition on 11th August 2014 Inauguration by Mrs.Rajashree Birla. At  Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Mumbai.

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THE ROSHAN KALAPESI MEMORIAL AWARDS

 

After receiving good response from the craftsmen to encourage their second generation, Paramparik Karigar is continuing with THE ROSHAN KALAPESI MEMORIAL AWARDS in its 2nd year. The Award is an encouragement to the young generation to carry on their tradition of craftsmanship.

The Award function was held on the 17th August 2014. 

The entries were judged by four eminent judges -

  • Mrs. Sarayu Doshi
  • Mr. Sabyasachi Mukherji 
  • Mr.Vitthal Nadkarni and
  • Mrs. Meera Mehta

This year there were 3 categories of awards in both 1) Arts & Crafts, &
2)Textiles sections.

Paramparik Karigar is proud to announce the winners of The Roshan Kalapesi Memorial Award: Ats & Crafts:

  • 1st prize..Faraz Aqeel….Wood Craft
  • 2nd prize….Mukut Joshi…Phad Painting
  • 3rd prize….Sayyed Zohaib Ali…Miniature painting

Paramparik Karigar is proud to announce the winners of The Roshan Kalapesi Memorial Award: Textile:

  • 1st prize…Tanmayananda Meher…Odisha Ikat
  • 2nd prize…Naseem Haque…Benaras weaving
  • 3rd prize…Akash Chippa…Bagru hand block printing

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 For their life time contribution to Paramparik Karigar, founder members Arundhati Nanavati & Sitaben Sethalwad were felicitated by Smt. Sharayu Doshi & Shri Sabyasachi Mukherji at the Award function

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Inauguration of Paramparik Karigar Exhibition

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Inauguration of Paramparik Karigar Exhibition

WELCOME to Paramparik Karigar exhibitions and events updates on our Blog

 

Inauguration of Paramparik Karigar Exhibition on 11th August 2014 by Mrs. Rajashree Birla At  Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Mumbai

 

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Happy Ganesh Chaturthi

“Happy Ganesh Chaturthi”

 

Wishing all our Dear Friends a very “Happy Ganesh Chaturthi”.

Happy Ganesh Chaturthi

Happy Ganesh Chaturthi

May LORD GANESHA bless all of us with Health, Wealth, Happiness and Prosperity.

 

Team PARAMPARIK KARIGAR

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Jewels in our Crown: Master Craftsman: Brahmadeo Ram Pandit (Padma Shri Awardee) Pottery

Pottery is perhaps the oldest craft in the world. Primarily utilitarian, clay utensils have often ranked as some of the most beautiful objects of art.

Image no 1 B R Pandit Padma Shri Award
Traditional folk pottery has always been a part of Indian life and ceremonies.

From per-historic times, there has been an abundance of beautifully fashioned utilitarian pottery. Different varieties of pottery were often painted with black and white pigments or decorated with geometrical incisions. Domestic pottery comes in a bewildering profusion of attractive shapes and sizes.

Image no2 Raku Smoke Pottery
The process of pottery:
Modeling and shaping of clay and then drying and firing it, is one of the most ancient crafts which has survived even today. Clay can be categorized as primary clay, which includes China clay and Bentonite and secondary clay, which include common clay, red clay, ball clay and fire clay. The potter throws the painstakingly kneaded clay into the center of the wheel, rounding it off, and then spins the wheel around with a stick. As the whirling gathers momentum, he begins to shape the clay into the required form. When finished he severs the shaped bit from the rest of the clay skillfully, with a string.

Copper red bottle
The firing is done in an improvised kiln. Care is taken so that the quality and beauty does not get affected. Intricate glaze is made from a mixed composition and then fired to form a vitreous material with glazed surface. It is then coloured by different mineral substances. Pottery is generally classified as earthenware, stoneware and porcelain, in relation to the clay used and the firing temperatures.

Crystalline ceramics
Distinctive earthenware is produced in various parts of India. There is the Delhi blue pottery made from porcelain. The famous Jaipur hand-painted blue pottery noted for its delicate decoration painted with brush made of squirrel’s hair. Alwar pottery is noted for its paper thin shapes; Bikaner pottery is tinted with Lac colours to which gold paint is added; Khurja pottery is from Uttar Pradesh and is known for its use of colours like orange, brown, and special light red with floral designs in sky blue. Rampur Surahis or water pots noted for their green-blue glazes and Chunar pottery is noted for its brown slip, interspersed by a number of other tints. Kangra in Himachal Pradesh is rich in clay wares mostly black or dark red. Khanapur in Belgaum is noted for its thin variety of pottery with designs etched on the body. Vidi in Kutch abounds in white clay and is noted for its soft white pottery. Saurashtra pottery is known for its likeness to sandalwood paste. Dal gate pottery is from Kashmir where the glazes resemble the cracks of a batik surface. Goa earthenware is famous for its deep rich red velvety surface. The highly artistic Karigari pottery from south Arcot with its original colours of green, yellow, brown and blue glazes is also used for making superbly shaped and coloured water jugs. Indian pottery true to the nature in the directness and simplicity of form and utility has conformed not only to an aesthetic ideal but also to eloquent expression of the material.

Master Craftsman: Brahmadeo Ram Pandit (Padma Shri Awardee)
Born in Bihar, third-generation potter Shri Brahmadeo Pandit has made the most remarkable transition from a traditional potter to a studio potter, creating work that bears the mark of his distinctive techniques of throwing, surface embellishment and firing. His tall vases, salad bowls and platters with interesting glazes have world wide appeal. His mastery over the medium is evident from the intimate variation of hues and designs that he is able to create.

Image no 5 Brahmdeo Ram Pandit

His great grandfather Murthi Pandit made traditional pottery under British rule and then his son Ram Pandit continued the same tradition after independence. The third generation potter Brahmadeo Pandit began his career at Sokodevra Ashram at the age of 19. Panditji owes his undying passion for pottery to his early years at KVIC Central Village Pottery Institute at Khanapur and later the experience of working with L.R.Ajgaonkar, noted ceramic artist in Kalanagar Bandra Mumbai. He has also trained in Lalit Kala Akademi Garhi in Delhi. His studio pottery workshop called Pandit art ceramic nestled in Kalakar Niwas in Bhayander turns out over 300 Bonsai and Ikebana pots everyday where he is very ably assisted by his wife Devki and sons Abhay and Shailesh. Abhay & Shailesh and daughter in law Khushboo who is also a potter have their individual mark in their craft. Devki Pandit recieved state award of Maharashtra in pottery in 1981.Abhay Pandit has a degree from from J.J.School of Arts in Bachelor of Fine Arts in Applied Art. He and his brother Shailesh underwent training in Pottery from the famous potter Ray Meekar & Deborah Smith of Golden Bridge Pottery, Pondicherry. Abhay further studied ceramic art in England after winning British council’s Charles Wallace India trust award in 2005.
Panditji has taught pottery for several years and also held demonstrations and workshops and exhibitions of his works. He was invited to Japan for a cultural exchange programme. He was sent to Germany, Spain, and Africa by the government of India to conduct pottery workshops. Recently Panditji was commissioned to create Ceramic Art Installation- ‘Water’ at the Mumbai International Airport T2. . Panditji has received many awards and accolades for excellence in pottery.

Ceramics B R, Abhay, Shailesh & Pandit Family
Exhibitions:
1) He held one man shows of studio pottery at the Sophia and Jehangir Art Galleries.
2) Exhibited at several exhibitions with Paramparik Karigar
3) Exhibited in Cymroza and art heritage art gallery.

Image no 7 Pottery by Abhay Pandit
Awards:
1) Awards from ‘The All India Fine Arts and Crafts Society’ (conferred twice)
2) Kamaladevi Chattopadhyay Award from Paramparik Karigar
3) The Maharashtra State Award In 1991
4) Bestowed the title of ‘ Shipa Guru’ by the Govt. of India in 2008.
5) Govt. of India honoured him with the Padma Shri in 2013

Image no 8 Ceramic Art Installation-Water at the Mumbai Airport T2
Address:
KALAKAR NIVAS,
PANDIT ART CERAMIC,
PANCHAL UDYOG NAGAR
GODDEV PHATAK RD
BHAYANDER-EAST-
DIST: THANE – mumbai 401 105
RES – 28194811
FaX – 28181907

CELL – 9892530062
EMAIL – abhay78in@yahoo.co.in

abhaypandit1978@gmail.com

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Art and Craft workshops with the Master Craftsmen and exhibition invite

Master Craftsmen Mumbai art craft exhibitions events

Paramparik Karigar

Art & Craft : 12th to 16th August 2014
Textile : 19th to 23rd August 2014

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Paramparik Karigar Workshop MUMBAI art craft Master craftsmen

WORKSHOP

Workshop Poster for August 2014

Invitation for the August 2014 Exhibition

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You can stay updated with the latest news on our Exhibitions, events and workshops here too - http://paramparikkarigar.com/exhibitions.html

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Jewels in our Crown: Master Craftsman Jivya Soma Mashe Padma Shri Awardee

 

Padma Shri Jivya Soma Mashe warli art

Padma Shri Jivya Soma Mashe

Warli Tribal Painting:

The Warlis live in Thane district of Maharashtra. They are tribal artists with 1200 years old painting tradition.

Traditionally the women of the tribe created the wall paintings on their ‘chowks’ during marriages and festivals. These paintings were greatly influenced by the surroundings and day-to-day life of the Warli Tribe. To prepare the background for the paintings the walls of the huts were coated firstly with cow-dung, then with the mud and finally with the ‘Geru’ (terracotta paste). Powdered rice was made into a paste to draw the paintings and thin reed like sticks from the Baharu tree were used as pens. The paintings are made by drawing geometric shapes like circles, triangles and squares.

Fishnet by Jivya Soma Mashe
Ironically today it is the men folk who practice this art form. For commercial reasons the paintings are drawn with white rice paste on a paper that is thinly smeared with cow-dung paste. The paintings have semi abstract figures spread over the surface in an easy narrative flow. They have evolved from restricted ritual drawings on mud-walled huts into a pictorial repository of folk tales, humour and myths. The paintings are made without the prop of colour and with a remarkable economy of detail. Realizing that there is a growing demand for the lyrical art, the Warlis have moved from painting the walls of their homes to painting on canvas, paper, table lamps and even fabrics like saris & scarves.

Ants by Jivya Soma Mashe

Jivya Soma Mashe

Master Craftman Jivya Soma Mashe ( Padma Shri Awardee)

Jivya Soma Mashe is known for his creative reinvention of an art vocabulary that was disappearing. His is also unique in his vivid representation of the tribal vision of nature and culture in equilibrium and for highlighting the contemporary relevance of local forms of knowledge.

He has significantly contributed to the culture and development of the Warli tribe.

Jivya hails from Dahanu Taluka of Maharashtra, home of the millennia-old Warli tribe. In his youth he was an over-seer of grass lands, and would often paint in the traditional Warli idiom, an expression that was then the preserve of women of the community. A field worker of a crafts board Bhaskar Kulkarni observed him painting. Sensing that Jivya Mashe had immense potential, he encouraged the budding artist to paint, and cultivated him as a master craftsman, and as they say, the rest is the history.

Through his works, Warli art emerged from its cocooned world to draw global fame and attention. Today Jivya’s name is synonymous with Warli painting. A true giant in the Indian art world, he has achieved international recognition and participated in exhibitions and festivals across the world. Jivya has two sons Sadashiv and Balu and a daughter. Both his sons are well known Warli artists. Paramparik Karigar cherishes this precious jewel in it’s crown!

Warli painting by Jivya Soma Mashe

National Exhibitions:
1) Jivya’s first exhibition was at the Gallery Chemould, Mumbai, India 1975. It was Keku and Khorshed Gandhi of Gallery Chemould who put Warli Paintings on the art scene of Mumbai.

2) ‘Other Masters’ exhibition at New Craft Museum, New Delhi, India. 1998

3) As a member, Jivya exhibited many years in annual exhibitions of Paramparik Karigar in Mumbai.

4) In July, 2007 another exhibition of his paintings was held at the Gallery Chemould, Mumbai.

Snake Warli Painting by Jvya Soma Mashe

International Exhibitions:
1) 1976 – His first exhibition outside India was at the Palais de Menton, France.

2) His next exhibition was at the Pompidou Centre, Paris in 1989.

3) 2003 – he had a joint exhibition with Richard Long at Museum Kunst Palast in Düsseldorf, Germany,

4) 2004 – exhibited at Padiglione d’Arte Contemporanea Milano, Italy.

5) 2004 – Richard Long, Jivya Soma Mashe, Un Incontro, PAC, Milano, Italy

6) 2006 – exhibited at the Shippensburg University United States

7) 2007 – exhibited at Halle Saint Pierre Paris (jointly with Nek Chand)

8) 2009 – Small sizes of the Warli tribe Mohanjeet, Paris, France.

9) 2010 – Autres Mai’tres de l’Inde Musée du Quai Branly, Paris France

Forthcoming exhibition: in 2014 at the Reina Sofia Museum (Madrid) and at the Foundation Cartier (Paris).

Warli tribal painting by (4)

Publication:
1) The Warlis: ‘Tribal Paintings & Legends’ Chemould Publications 1985, which made Jivya’s work known internationally.

2) The Painted World of the Warlis by Yashodhara Dalmia. Lalit Kala Akademi, 1988, New Delhi.

3) Les Magiciens de la Terre  published by Centre Georges Pompidou, 1989, Paris

4) Other Masters texts by Jyotindra Jain and Yashodhara Dalmia. Crafts Museum, 1998, New Delhi

5) Art tribal et art populaire Indiens contemporains Hervé Perdriolle, Musée des Arts Décoratifs, Paris, 1998

6) Tribal Art A collection of Indian Tribal Paintings, Hervé Perdriolle, Auroville Press 1999

7) Richard Long, Jivya Soma Mashe Museum Kunst Palast, Düsseldorf 2003

8) Richard Long, Jivya Soma Mashe Padiglione d’Arte Contemporanea, Milano 2004

9) Jivya Soma Mashe and the Warli Tradition Shippensburg University, USA 2006

10) Nek Chand, Jivya Soma Mashe Halle Saint Pierre, Paris 2007

Warli tribal painting by (2)

Awards:
1) Jivya Mashe received National Award in 1976;
2) Shilp Guru award in 2002
3) The Prince Claus Award in 2009
4) The Padma Shri Award in 2011

balu sadashiv jivya

Address:
Mashe Jivya Soma
At Kalamipada, House No 766,
Post-Ganjad,
Tal-Dahanu, Dist: Thane,
Maharashtra
Tel -  02528-262125 (C/O)
Cell – 09422685232

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Posted in Art & Craft, Indian Art, Indian Artist, Indian Master craftsmen, Jewels in our Crown, Master Craftsmen, National award winners, Padma Shri award, Paramparik, paramparik karigar, Shilp Guru Award, The Prince Claus Award, Warli Art | Tagged , , , , , , , , , , , , , , , , , | 1 Comment